Laurie Halse Anderson is one of my favorite YA writers. I'm reading Wintergirls and it's gripping; gut-wrenching gripping.
But what distinguishes writing that grips and wrenches guts, and writing that manipulates emotions?
I don't know for sure, but here's just a thought: if you set out to write a book that i
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[Fake Jay/Real Jay
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by cogdogblog at Flikr Commons]
So, dare I?
5 comments:
This is actually a good question... I don't think people who set out to write tear-jerkers usually get there, either. I mean, I can't read certain authors with a straight face, because I KNOW that there's going to be A Big Moment and tears and/or a Big Lesson and tears, and/or a pregnancy scare and/or teen with some terminal disease, and ...tears. She's a proficient writer, yet she aims for these things, thus I feel manipulated.
So, no. You can't set out to write "gripping" prose; to my mind, you can only set out to write something that grips YOU, and hope it works the same for others.
I've stepped off of my own cliff; I definitely encourage the uncomfortable, cranky-making, terror-inducing trip for everyone else. :D
Heh, Tanita: I love your fallen off the cliff prose. And your courage for jumping.
I think you've nailed it: write something that grips you, and makes you want to escape. Then there may be a chance that what results will touch readers--if it doesn't drain/drive insane/empty out the author first.
This is such a good point and something I need to think about. In my WIP I've got several emotional scenes that I don't want to seem obvious or manipulative. I think as long as I stay true to my main character, i.e., I write HER reaction, not the reaction I want my readers to have, I think I'll be okay.
Right: not trying to get a certain reaction from your readers is probably a good gauge.
Wonderful said! Great post!
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